Artist of the Week: Brigitte Carnochan

The men have had a good run but it’s time to acknowledge the ladies of photography, don’t ya think? Is anyone besides me yearning for spring? That is what made me select this week’s artist: Brigitte Carnochan.

Brigitte’s fine art photography depicts primarily nudes and botanicals. What better in springtime, right? Running naked through a field of poppies… Oh wait, you don’t do that? I’d like to say, “Maybe it’s just me,” but yeah, neither do I. Maybe next year.

AOTW-EngagementPeonies–BrigitteCarnochan

I discovered Brigitte’s work at one of my favorite galleries, Peter Fetterman Gallery in Santa Monica. She creates platinum/palladium prints (as shown above) and handpainted images (below).

Calla Lily III (c) Brigitte Carnochan

Calla Lily III (c) Brigitte Carnochan

Two Morning Glories (c) Brigitte Carnochan

Two Morning Glories (c) Brigitte Carnochan

I have a copy of her 2006 book, Bella Figura. It’s a beautiful monograph:

carnochan-bella-figura

It features Brigitte’s handpainted photographs, including the one that first caught my eye, Dancer I:

Dancer I (c) Brigitte Carnochan, in Bella Figura

Dancer I (c) Brigitte Carnochan, in Bella Figura

Her latest project, Floating World, was inspired by a collection of poems written by Japanese women between the 7th and 20th centuries. For it, she printed images on handmade Japanese mulberry paper and had Richard Mann calligraph the name of each poet in each piece:

Butterflies, Tell me (c) Brigitte Carnochan

Butterflies, Tell me (c) Brigitte Carnochan, Floating World

carnochan-half-hidden-archival-pigment-print-on-handmade-mulberry-paper

Half Hidden (c) Brigitte Carnochan, Floating World

To learn more about Brigitte or explore her work in more detail, please visit her website or check out this video.

I am completely entranced by her platinum prints. In fact, I’m seriously considering taking a class on how to do that now. What moves you about Brigitte’s work?

Cheers,
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My Passion Project: Advocating for Foster Youth

In 2011, I became a court-appointed special advocate, or CASA (like house in Spanish), for a teen in foster care. I LOVE it! Being an advocate has been the most rewarding experience I’ve ever had. So, when I heard my cousin describe her own voluntarism exactly the same way, I knew I’d found a new blog feature: passion projects.

What is a passion project?

A passion project is something that makes your heart sing. It’s not about money or prestige or influence, but rather the feeling it brings you to do it. Personally, I think passion projects have to involve a component of service—because I believe it’s impossible to find what makes your heart sing when you’re solely self-focused. But, through this series, each person will define what “passion project” means to them and tell his/her own story.

Your passion project could be a volunteer activity, a job, or a lifelong vocation. The bottom line: A passion project requires significant commitment but it also brings you a tremendous sense of fulfillment. And yes, you could have more than one!

my-passion-project

Image created by Vancouver Public Library. Adapted and licensed under Creative Commons.
Also, please note: This is not my advocate youth, nor is this image meant to suggest that the girl pictured is in foster care.

What is a CASA?

A CASA is a volunteer who advocates on behalf of a child in foster care. I always say it’s like Big Brothers Big Sisters, but with more access and accountability. CASAs are expected to review their advocate child’s medical and education records as well as get to know other people involved in the child’s life, including their parents and foster parents, attorney, and teachers. Because we see the child weekly—much more frequently than busy social workers, attorneys, or judges could do so—we help the court understand who the child really is and how best to serve their needs.

Why this matters—and what I want others to know

“On any given day, there are approximately 400,000 children in out-of-home care in the United States. During the last year about 650,000 children spent some time in out-of-home care.”Children’s Rights

A lot of people seem to think that kids in foster care are there because they did something wrong. Not true! These kids were removed from their family home for their OWN protection.

Being in foster care is not the same as being in juvenile detention. Kids are placed in out-of-home care for a variety of reasons, including parental death or incarceration, abuse or neglect, or a parent’s inability to protect their child from dangerous situations. Kids in care are the same as any other kid; their resilience has just been tested a bit more.

The best way to understand what an advocate is and why one matters is by hearing the stories of some of my local program’s—Child Advocates of Silicon Valley—advocates and graduates:

So why do these kids need support? As a pediatric nurse practitioner and former foster parent shared with our training class, “Pretty much everything about the foster care system leads to developmental delays.” Maltreatment does. Removal from the home does, including the number of placements a child experiences and the age s/he enters care. Foster children also tend to have greater healthcare needs, both physical and mental, due to the trauma they’ve experienced.

No one believes that the ideal place for a child to grow up is out-of-home care; it is simply the best alternative for some kids. To add to that, approximately 26,000 youth age out of care each year; that is, they enter adulthood with little to no support system. The resulting outcomes, as shared by our instructor, are horrifying:

  • 65% emancipate to homelessness
  • Only 3% go to college
  • By age 19, almost half of girls are pregnant
  • Within 18 months of emancipating, 27% of males and 10% of females have been incarcerated; 33% receive public assistance; 37% had not finished high school; and 50% are unemployed

And remember: These kids were placed into foster care for their own protection, through no fault of their own.

But there’s good news: There is a lot of evidence that one-to-one mentoring programs significantly help youth. Being a CASA is being a mentor. Foster youth with mentors are:

  • More likely to graduate from high school and go on to college
  • More likely to get the medical, educational and emotional services they need
  • More likely to find a permanent home
  • More likely to have a place to stay after they turn 18
  • More likely to get involved in extra-curricular activities
  • More likely to make healthy life choices

What I do

After you go through the interviews and training process, you’re asked what age group you’d like to advocate for and offered case histories to review. You choose the child whose story most speaks to you. I work solely with teens because that’s the age group I enjoy most.

Once per week, I hang out with my teen for a few hours. We go to the mall, get pedicures, go for walks at the park, visit museums, do art projects, grab lunch, whatever sounds fun that day. We’ve toured colleges together, I’ve taken her to the doctor’s office, and we talk about everything from day-to-day goings-on to career possibilities to boys to her hopes and dreams. I even took her to vote for the first time! It’s a total blast.

And yes, I check in with her social worker and pull her school records and attend court dates, but mostly what I do is befriend and mentor a teen. Kids of all ages are in foster care, from birth to 18+, so whatever age you prefer, there’s a youth for you.

How I became a CASA

One day while visiting family in Florida, I stopped into a Starbucks and saw a CASA recruitment flyer. I looked it up on my phone and was thrilled to find out it is a nationwide program. When I got back home to Northern California, I contacted the local chapters and attended an information session for Santa Clara County. The rest is history!

How you can become a CASA

In order to ensure the safety of youth in care, becoming a child advocate takes some time. But almost anyone can do it! All you need is to:

  • Be at least 21 years old
  • Be willing to complete necessary background checks, provide references, and participate in an interview
  • Complete 30 hours of pre-service training
  • Be available for scheduled court appearances, with advance notice
  • Be willing to commit to your youth until your first case is closed, seeing him/her weekly or as frequently as s/he is available (if less often)

For more on the requirements and to find a program near you, visit the National CASA website.

Why this is my passion project

For decades now, I’ve known my kids were already out in the world, that I didn’t need to make babies in order to create a family. When I was 16, I begged my mom to adopt a Wednesday’s Child we’d seen on television (her name was Cheyenne, she was 15, and she loved basketball—yeah, I remember it like it was yesterday). Around that same time, I also volunteered as a “Big” for Big Brothers Big Sisters. Later, after college, I served on the board of the Los Angeles Junior Chamber of Commerce, a group of young professionals committed to improving the lives of Los Angeles youth. Seeing a trend yet?

I have volunteered with kids in many ways over the years, but this is without a doubt, the best experience I’ve had. If you’re at all interested in serving as a CASA, check out the National CASA website for information on a program near you.

Cheers,
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40 Things to Do Before 40 » KateWatson.net - […] my involvement with foster and at-risk […]

3 Mental Shifts that Changed My Life » KateWatson.net - […] probably know I’m a volunteer CASA, a court-appointed special advocate for foster children. People often ask me how I do that, how I […]

Artist of the Week: Brian Smith

One of my favorite places to shop for new photography books is Los Angeles. Compared to the Bay Area, which is rife with professional programming and computing tomes, Los Angeles is a virtual mecca of film, television, art, and photography books. It was at The Grove‘s Barnes & Noble that I discovered Art & Soul, the latest book from Pulitzer Prize-winning photographer Brian Smith.

Brian came to mind as my next Artist of the Week when I used his portrait of Elliott Erwitt in week one. Don’t you love synchronicity?

_artist-of-the-week-brian-smith

After I saw Art & Soul, a collaboration with the Creative Coalition to promote the arts and arts education, I simply had to add it to my photography book collection. These days, I try to purchase only signed editions so I contacted Brian and asked if he’d sign a copy for me. He agreed and even personalized it for me:

ART&SOUL-BRIAN-SMITH

What stands out for me when looking at Brian’s work is what an exceptional technician he is. His photographic range demonstrates an ability to anticipate and capture moments in high-speed/high-stress environments—he won the Pulitzer at age 25 for coverage of the 1984 Los Angeles Olympic Games—as well as to create revelatory portraits using lighting, posing, and interpersonal communication skills, as he did for Art & Soul.

One of Brian’s best known works is of Greg Louganis hitting his head during the springboard preliminaries at the 1988 Olympics. It won a World Press Photo award:

(c) Brian Smith

(c) Brian SmithBrian also undertook a cheeky (pun intended!) project photographing naturalist golfers for Sports Illustrated:

(c) Brian Smith

Most people who attempt to be jacks of all trades end up masters of none, but that really isn’t the case here. Brian has created high-impact photography across many genres, from sports photojournalism to celebrity portraits to editorial and advertising assignments.

(c) Brian Smith

My favorite part about Art & Soul is the juxtaposition of each celebrity’s handwritten notes on the arts with his/her headshot. For example, Anne Hathaway says: “An act of creation is an act of hope. Art gave me my heart.” Love!

Spreads from Art & Soul, (c) Brian Smith

Spreads from Art & Soul, (c) Brian Smith

Brian Smith with Sony a900

Like many of the artists I’ve profiled so far, Brian Smith got his start in photography during high school. He later studied journalism at the University of Missouri and, after graduation, joined the Orange County Register. He has now left behind his work in photojournalism and focuses on celebrity portraits for advertising and editorial clients from his home base in Miami.

For more about Brian Smith, visit his website: http://briansmith.com, read these interviews from Advanced Photography and FStoppers, or check out this webinar from Photoshelter. You can also order Art & Soul from his website.  

What do you think about Brian Smith’s work? Anything surprise you about him or his portfolio? Let me know in the comments.

Cheers,
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Continuing On [Guest Post]

Jessica Swift shared a sweet reminder today with her mailing list—something I think we can all benefit from hearing on occasion—so I asked her if I could share it and she said yes! Here’s some business and life wisdom for you today, from Jess:

keep-going-jessica-swift

An ode to continuing on, no matter what.

Life is never going to be perfect.
Keep going.

You are learning what you’re learning when you’re learning it.
Keep going.

Think back to where you started and see how far you’ve come.
Keep going.

Forgive yourself.
Keep going.

Take a tiny step. Then another.
Keep going.

Sleep in if you want/need to and ignore it. Then:
Keep going.

Make a mistake.
Keep going.

Allow your path to veer.
Keep going.

Have a good cry.
Keep going.

Change directions.
Keep going.

Let yourself be a beginner.
Keep going.

High five yourself.
Keep going.

Allow heartbreak.
Keep going.

Allow joy.
Keep going.

Revel in your success.
Keep going.

Feel the fear and do it anyway.
Keep going.

Let it all go.
Keep going.

Take the day off. Take the month off.
Keep going.

Give yourself permission to not have all the answers.
Keep going.

Reframe it. Shift your perspective.
Keep going.

Love yourself. No matter what.
Keep going.

I believe in you.
Keep going.


Jessica Swift is a pattern designer, artist, and author living in Portland, Oregon. She is on a quest to inspire everyone on the planet to pursue their wild + colorful dreams…and never give up. Find her online at http://www.jessicaswift.com, on Facebook, Twitter, or Pinterest.

Jess is also having a sweet sale on prints today so, if you hop on her mailing list, maybe she’ll tell you about it.

Artist of the Week: Patrick Demarchelier

After mentioning him in last week’s inaugural Artist of the Week post, it seems only fair to choose French fashion photographer Patrick Demarchelier as this week’s artist. My favorite of his photographs features Warren Beatty and Annette Bening with their daughter, below:

Warren Beatty and Annette Bening, and their daughter. Los Angeles. (c) 1994 Patrick Demarchelier

Warren Beatty, Annette Bening, and their daughter. Los Angeles. (c) 1994 Patrick Demarchelier

I love it because it’s all about connection and the moment. However, it’s a bit outside his typical style. His work overall is clean, elegant and timeless, as you’ll see in his 1992 image of Christy Turlington for British Vogue. This is one of his most recognized photographs:

Christy Turlington, New York, for British Vogue 1992 (c) Patrick Demarchelier

Christy Turlington, New York, for British Vogue 1992 (c) Patrick Demarchelier

Shalom Harlow 1995 (c) Patrick Demarchelier

Shalom Harlow 1995 (c) Patrick Demarchelier

Nadja Auermann New York 1995 (c) Patrick Demarchelier

Nadja Auermann New York 1995 (c) Patrick Demarchelier

Demarchelier’s simple, clean style lends itself well to advertising and editorial photography, leaving lots of room for captioning and typography. Although he primarily works in black and white, he has been incorporating more color in his portfolio in recent years:

Emma Stone for British Vogue August 2012 (c) Patrick Demarchelier

Emma Stone for British Vogue August 2012 (c) Patrick Demarchelier

Maria Semenyachenko for Vogue Russia January 2014 (c) Patrick Demarchelier

Maria Semenyachenko for Vogue Russia January 2014 (c) Patrick Demarchelier

Patrick Demarchelier, by David Shankbone 2010

Patrick Demarchelier, by David Shankbone 2010

Patrick Demarchelier is one of the foremost fashion photographers working today. A veritable pop icon, he was referenced in the film, The Devil Wears Prada, and received the designation of Officier dans l’ordre des Arts et des Lettres by the French minister of culture in 2007. Given his acclaim, you might be surprised to learn that he does not have formal photographic credentials.

“I learned most by just taking pictures; a lot of pictures. I’ve made plenty of mistakes, but it’s often from your mistakes that you learn most. Being a photographer is like being an athlete. You must practice every day,” he’s said.

Demarchelier got his start in photography at the age of 17, upon receiving a camera as a gift from his stepfather. Three years later, he began working for a photography lab and later became a photographer’s assistant. In 1975, already an established fashion photographer in France, he followed his girlfriend to New York and became a freelance photographer and assistant to masters like Henri Cartier-Bresson. Today, he lives in New York with his wife, Mia.

To discover more of his work or to purchase prints, please visit his website: http://www.demarchelier.net.

What’s your favorite Demarchelier photo? Can you see his style clearly in the images posted above? 

Cheers,
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